Теоретическая фонетика английского языка. Теоретическая фонетика английского языка

Учебник представляет собой нормативный курс фонетики английского языка. Цель учебника - формирование навыков правильного английского произношения и профессиональной ориентации студентов, т. е. обучение студентов тому, как использовать полученные знания и умения в дальнейшей педагогической деятельности.
Учебник состоит из теоретической части, где излагаются основные моменты теории фонетики английского языка, и практической, включающей упражнения, направленные на закрепление и практическое усвоение материала.

ARTICULATION AND BREATHING PRACTICE.
In order to acquire correct pronunciation, to manipulate the organs of speech one is to be taught breathing technique. The first and the most important thing in any system of voice exercises is the formation and control of the breath. We never breathe out completely in speech. Complete exhalation takes place only in breathing exercises. In normal breathing there is some reserve breath remaining in the lungs. The exercises given below will help you to control your breath, as breath control is the keynote of all that is necessary for speaking.

The mass of air breathed in is kept in the lungs. The lungs are inclosed in the region covered by the ribs, and extending upward, they fill the chest cavity except for the space for the heart. While breathing we fill only the upper part of the lungs with air, but for speaking and singing it is necessary to fill the lower part of the lungs. This is reached with the help of the diaphragm.

CONTENTS
Introduction
Part One. The Production of Speech
Chapter I. The Organs of Speech and Their Work
Chapter II. Articulation and Breathing Practice
Part Two. The Sounds of Speech
Chapter I. Sounds and Phonemes
Vowels and Consonants
Chapter II. Consonants. Principles of Classification
Class A. Noise Consonants
Constrictive Fricative Consonants
Occlusive-Constrictive Consonants
Class B. Sonorous Consonants
Chapter III. Modification of Consonants in Connected Speech
Assimilation
Fundamental Consonant Allophones
Chapter IV. Vowels. Principles of Classification
Monophthongs
Diphthongoids
Diphthongs
Vowel Sequences
Chapter V. Modification of Vowels in Connected Speech
Reduction
Chapter VI. Strong and Weak Forms
Part Three. Syllable Structure
Chapter I. Syllable Formation
Chapter II. Syllable Division
Part Four. Word Stress
Chapter I. Manifestation of Word Stress and Its Linguistic
Function
Chapter II. The Degrees and the Position of Word Stress
Part Five. Intonation
Chapter I. Manifestation of Intonation and Its Linguistic
Function
Chapter II. Basic Intonation Patterns
Emphasis
Classification of Intonation Patterns
Intonation Patterns and Meaning
Group I. Low Fall ,
Group II. High Fall
Group III. Rise-Fall
Group IV. Low Rise
Group V. High Rise
Group VI. Fall-Rise (High Fall + Rise)
Group VII. Rise-Fall-Rise
Group VIII. Mid-Level
Chapter III. Intonation Patterns and Sentence Types
Chapter IV. Sequence of Tones
Chapter V. Sentence-Stress
Manifestation of Sentence-Stress
Types of Sentence-Stress
Chapter VI. Tempo of Speech
Chapter VII. Rhythm
Part Six. Phonostylistics
Chapter I. General Considerations
Chapter II. Stylistic Use of Intonation
Chapter III. Intonational Styles
Informational (Formal) Style
Scientific (Academic) Style
Declamatory Style
Publicistic Style
Familiar (Conversational) Style
Intonational Styles and Modification of Sounds in Connected Speech
Part Seven. Patterns of Exercises
Sounds of Speech
Syllable Structure
Word Stress
Stylistic Use of Intonation.

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Теоретическая фонетика английского языка.

Билет № 1

Компоненты интонации:

- Мелодика: ведущая роль в различении коммуникативных высказываний, изменение в направлении движения голосового тона.

- Темп: выражение различной степени важности высказываний, эмоциональное настроение. Темп ускоряется при передаче бурных эмоций и замедляется при подавленном состоянии.

- Пауза: делят речевой поток на отдельные единицы – делимитативная функция. Средство объединения частей высказывания в единое целое. Роль экспрессивного выделения слова, как до него так и после. Темпоральный компонент интонации. Интонация ассоциируется, прежде всего, со звуком, участием голоса.

- Громкость (интенсивность): определение семантического центра в звучащих текстах (менее значимые части высказывания произносятся с пониженной громкостью), членение речевого потока. Зависит не только от силы звука, но и от высоты (частоты основного тона) и долготы (длительности).

- Качество голоса (тембр): различные тональные изменения голоса. Постоянные индивидуальные особенности голоса говорящего, а соответственно они считают, что качество голоса не может являться предметом изучения лингвистики. Другие исследователи относят качество голоса к области эмоционального.

- Фразовое ударение: организующая, цементирующая роль, ритмообразующая функция, выделительная функция. Просодический признак.

- Ритм: средство эмоционального воздействия на слушающего, организующая роль. Способствует выражению смысловых отношений. Формируется из единиц сложных воспринимаемых качеств, мелодики, темпа, паузы, громкости, качества голоса фразовой акцентуации. Чередование ударных слогов примерно через равные промежутки времени.

Просодическое средство.

Каждому компоненту интонации должно соответствовать изначальное субстанциональное просодическое начало – частота основного тона, интенсивность, длительность, спектр, отсутствие речевого сигнала. При отсутствии той характеристики то или иное фонетическое явление относим не к компонентам интонации (просодическим средствам), а к просодическим признакам.

Под фразовой интонацией понимается сложное единство взаимосвязанных между собой просодических средств (компонентов интонации – мелодики, громкости, темпа, паузы, качества голоса), а также просодических признаков (фразовой акцентуации и ритма), функционирующих в фразе и передающих различные интеллектуальные (логические) и модально-эмоциональные отношения.

Phonological and non-phonological features:

A phoneme can only perform its distinctive function if it is opposed to another phoneme (or to no sound) in the same position. Such an opposition is called distinctive , or phonological. The classification is based on the number of distinctive articulatory features underlying the opposition (single, double, triple, multiple). Establishment of the phonemic system of a language is actually the establishment of all the single phonological oppositions existing in it.

Each sound is characterized by a number of features, some of them are relevant (значимые)(distinctive), others are irrelevant (incidental). Relevant features are affected by phonetic context. Irrelevant may be of two kinds: - indispensable (обязательный), (they are always present at allophones), - incidental (случайный).

Relevant

- the type of obstruction (occlusive/constrictive, plosive/fricative/affricate/nasal)

- the active organ (labial, bilabial, labio-dental/lingual/glottal)

- the force of articulation, work of local cords (fortis/lenis)

Irrelevant

- two foci

- the shape of narrow (oral, nasal, lateral articulation)

- place of obstruction (пассивный орган)

- presense or absense of voice

- aspiration

- palatalisation

In the system of English vowels the only relevant feature is the position of the tongue (ряд, подъем).

Билет № 2

Each language has a limited number of sound-types, that are shared by all the speakers of the language and are linguistically important because they distinguish meaning or meaningful units, differentiate words or their grammatical forms – phonemes.

The phoneme has several aspects and functions and it’s very difficult to give a formal definition n a single sentence. The segmental phoneme is the smallest (further indivisible into smaller consecutive segments) language unit (sound type) that exists in the speech of all the members of a given language community as such speech sounds which are capable of distinguishing one word from another word of the same language or one grammatical form of a word from another grammatical form of the same word.

Speech sounds can perform this distinctive function only when they are opposed to each other or to no sound in one and the same position (phonetic context, environment).

The actual speech sounds pronounced by the speaker or reader are variants, allophones (the actual speech sounds) of phonemes – are incapable of differentiating words or the grammatical forms of one and the same word (eight/alveolar-eighth/dental). Differ from each other in some degree. With the exception of free variants – no variant can normally occur in the position in which any other variant occurs, they are in complementary distribution (дополнительная дистрибуция). They are divided into:

principal (typical)

Is free from the influence of neighboring speech sounds

It has the greatest number of articulatory features

subsidiary

Combinatory (assimilation, accommodation, adaptation)

Positional – in definite positions are used traditionally (clear-dark variant /l/ in RP and GA)

The behavior of allophones in phonetic context, their ability to occur in certain definite positions – distribution .

- Contrastive (конт р астная)- allophones of different phonemes occur in the same position distinguishing the meaning of different words (bad/mad)

- Complimentary(дополнительная )- allophones of one and the same phoneme never occur in identical positions (clear-dark /l/)

- free varianrs (свободное варьирование )- allophones of one and the same phoneme which do occur in the same position but are incapable of differentiating meaning.

The phoneme is a dialectical unity of its three aspects reflected in its definition (aspects ):

- material, real and objective – it exists in the form of concrete variant (Daniel Jones “a family of sound”)

- abstractional and generalized character (Baudouin de Courtenay mentalist view , «психический эквивалент звука», the phoneme is regarded as a physical image of a sound or one common to several sounds; Хомский, Трубецкой, Halle, Jackobson, Hejemslev).

- functional – discriminatory (разлчительная)

The objective reality of the phoneme was denied by American linguists (Twaddel)

Constitutive (make up more complicated units) and recognitive (identificatory), distinctive (смыслоразличительная) functions (Васильев)

materialistic conception – Щерба

The difference between RP and GA (consonsnts)

Билет № 12

Phonological analysis:

The two main problems:

the establishment of the phonemic inventory for a language (буквы, что фонема, что аллофон)

Methods:

Distributional – is based on the phonological rule, that different phonemes can occur in one and the same position, while allophones of one and the same phoneme occur in different positions (cat-rat/ cat-skate). It’s possible to establish the phonemic status of any sound just by contrasting it with the other sound without knowing the meaning of the words.

Semantic – attaches great importance to meaning. It’s based on the assumption that a phoneme can distinguish words only when opposed to another phoneme or zero in an identical phonetic context (ask”0”-asks). Pairs of words differing only in one sound are called minimal pairs.

the establishment of the inventory of phonologically relevant elements for a given language.

L. Blomfield (American descriptive linguist) considered it impossible to identify the phonemes of a language without recourse to meaning in the ordinary sense of word.

Great phonemic dissimilarity – entirely or greatly different sounds, such as a vowel and a consonant cannot be allophones of the same phoneme.

Conditioned allophonic similarity – the more or less similar sounds which are at the same time more or less different, are allophones of the same phoneme if the difference between them is clearly due to the influence of purely external phonetic factors, such as neighbouring sounds, stress, etc..

Билет № 13

В самом общем виде интонация может быть определена как сложное единство взаимосвязанных между собой просодических явлений, способных выражать различные интеллектуальные, логические и модально-эмоциональные отношения. Интонация и просодия связаны между собой самым тесным образом, но тем не менее это разные объекты.

Просодия – постоянные сверхсегментные свойства речи (частота основного тона, интенсивность, длительность, громкость (сила, амплитуда); синоним интонации (учение о принципах и средствах членения речи и соединения расчлененных частей, таких как повышение и понижение основного тона (мелодия), расстановка более и менее сильных ударений (динамика), относительное ускорение и замедление речи (темп) и разрыв произнесения (паузы). Так что просодия некотором смысле уже является интонацией. Просодия – явление субстанциональное, то есть состоящее из материальных средств звучащей речи: частоты основного тона, интенсивности, длительности (акустический уровень). Считаем, что следует также учитывать и такой акустический показатель, как отсутствие речевого сигнала, что на уровне восприятия соответствует перерыву в звучании.

Просодические средства не накладываются на сегментные единицы, но заключены в самих звуках. Поэтому понятие просодии входит в спектр , который является примарной акустической характеристикой отдельно произносимого звука и сопутствующей акустической характеристикой слога, синтагмы, фразы и т.д.

Просодия и интонация состоят из одного и того же «строительного материала» - частоты основного тона, интенсивности, длительности, а также спектра и такого показателя, как отсутствие речевого сигнала. На уровне восприятия указанные параметры соотносятся со следующими понятиями: высота тона/ мелодика, сила/громкость, долгота/темп, тембр/качество голоса, перерыв в звучании/пауза. Prosody and intonation are similar because they are composed of the same phonetic phenomena. But on the other hand they are different and the difference lies in their sphere of their usage.

Просодия является в определенном смысле понятием более емким и широким, чем интонация, поскольку она организует самые разные звуковые последовательности (от слога до целого текста). Термин же «интонация» применим к речевым единицам, не меньшим синтагмы. Prosody may be applied to both smaller units (syllable, rhythmic group, text, phrase) and larger units. The notion of prosody is larger than the notion of intonation, but prosody only organizes the speech and intonation is related in meaning.

Интонация в некотором отношении – явление более высокого уровня, чем просодия, так как в понятие интонации входит и содержательный аспект. Просодия же заключает в себе лишь средства организации речевых единиц. Таким образом, интонационные признаки соотносятся с абстрактным, фонологическим; просодические признаки же – с более частным, нефункциональным. Целесообразно поэтому различать термины «просодия» и «интонация» применительно к различным функциям, а именно: конститутивная (организующая речевых единиц в одно целое) и делимитативная (сегментирующая речевой поток) функции просодии и коммуникативная, модально-эмоциональная, кульминативная (тема-рематическая), синтаксическая, семантическая функции интонации . Prosody Is reasonable only in constitutive aspect of speech. It’s reasonable to apply the term intonation to the logical and emotional aspects of speech.

By prosody the majority of phoneticians mean constant physical acoustic characteristics of speech (mainly fundamental frequency, intensity, duration and also spectrum and absence of speech (pause).

Spectrum is a basis acoustic feature of a separate sound but it’s a secondary feature of a larger unit (of a syllable, phrase).

On the perceptive level these parameters are related to the following components:

Intensity- loudness / duration – tempo / spectrum – voice quality

Prosodic features – rhythm, sense stress.

All these characteristics are quite frequently called prosodic means.

Intonation is a complex unity of closely related prosodic means (components of intonation)

- melody

- loudness

- voice quality

and of prosodic features (sentence accentuation, rhuthm), which convey different intellectual (logical) modal and emotional attitudes.

Functions

Prosody:

-constitutive (structural) separate words, pronounced on the same level - normal communication is impossible/ “voice in machine” 1)integrative (связывание) 2) delimitative (расчленение) – the same words, but a different translation, because of the way we pronounce them.

- stylistic, each functional style and each function of speech has its own characteristics in melody, tempo, loudness, voice quality, pause. Official style (frequent use of the gradually descending scale, greater degree of loudness, slower tempo of speech), colloquial style (lowered degree of loudness, great number of hesitation pauses).

- aestatic, general impression from the person’s speech. Harmony (благозвучие).

- social, information about gender, age, education, the place one lives

Intonation:

- communicative, type of utterance (command, request)

- expressive:

culminative – difference between the new and the given information (theme-rheme)

highlighting – singing out words according to the degree of their semantic importance

attitutional – in order to express his attitude the speaker changes the melody, tembre of voice, loudness (I love you, Mid-Fall/Rise-Fall). Change in melody can lead to the change of the meaning of the whole utterance.

Scottish English.

English has been spoken for as long as it has been spoken in England. Some linguists say that it’s a national variant, others say that it’s a dialect. In the Highlands and Islands of northern and western Scotland, however, Gaelic is still the native language of thousands of speakers of these regions.

Incidentally a number of writers and poets like R. Burns retained their native language (Scots), although after Reformation it was gradually replaced by English.

Nowadays educated Scottish people speak a form of Scottish Standard English which grammatically and lexically is not different from English used elsewhere, but with an obvious Scottish accent. At the moment there is a strong movement in Scotland for the revival of Scots.

since Sc. English is rhotic it preserves post-vocalic /r/ (beer => /bir/; hurt => /h^rt/)

Length is not a distinctive feature in Sottish vowels (pool=pull). But in final stressed open syllables vowels are longer than elsewhere.

Monophthongs are pure, there’s no trace of diphthongization with the exceptions of /ai-i/, /au-u/, /oi/.

The RP / æ – a(a:)/ distinction doesn’t exist (hat /a/, danse /a:/)

/i/, /U/, /^/, /э/ may be central

accent /u:/ often occurs when RP has /au/ (hause /hu:s/)

/o/ and / Э u/ may not be contrasted (not=note)

do, to are pronounced as /dэ/, /tэ/

/e/ instead of /i/ (city)

Consonants:

Sc. English preserves a destinction between /hw/ and /w/ (witch)

Initial /p,t,k/ are usually non-aspirated

/r/ is most usually a flap

non-initial /t/ is always realized as aglottal stop /?/

/l/ is dark in all positions

the velar fricative /x/ occurs in number of words: loch

-ing is /in/

/h/ is present

A specific Scottish feature is the pronunciation of /θr/ as / ς r / (through)

Билет № 8

Major approaches to the form of melodic unit:

1). Contour approach (контурный подход). The most traditional and widespread is the approach worked out by the British phonetic school (Sweet, Jones, Armstrong, Ward, Kingdon, Gimbson, O’Conner). The approach is based on the assumption that the melodic of utterance is a unity of functionally independent components.

Melodic configuration is studied within a sense-group which is the smallest unit of sense in speech. In terms of its structure and function the melodic contour of a sense-group includes:

a nuclear tone – is a tone which is used within the nucleus of the utterance, that’s the highlightened part carrying maximum informational load

a scale- is the part from the fast-stressed syllable to the fast unstressed before the tone

a head – the first stressed syllable

a pre-head – the unstressed syllable before the head

The contour has two vertical parameters:

range (диапазон ) – the interval between the highest and the lowest pitch in the sense-group (narrow, wide)

register – is height of pitch range (high, middle, low)

According to the British school: The melodic from of a sense group is a contour having both vertical and horizontal components each of which performs its specific function.

2). Pitch approach. According to the American phonetic school the melodic structure of a sense-group is analyzed in terms of pitches or pitch levels.

Pitch levels are distinctively relevant and are called pitch phonemes. Meaning is ascribed to a sequence of pitches such a sequence is called an intonation contour .

They distinguish 4 pitch levels:

Mid level (2) – quiet, unemotional

Extra high (4) – strong emotions

An utterance must have the first 3 pitch levels. Inside each pitch bond here can be slight melodic ups and downs, which are considered semantically irrelevant. (I’m going home)

The two schools are hardly as incompatible (несовместимы) as it may seem on the face of it. The contour theory cannot ignore the significance of pitches (Low Fall, High Fall). On the other hand in American intonation pitch levels make up linear contours (уровни выстраиваются в линейный контур).

Northern Ireland English.

Naturally the pronunciation of these areas (Southern Ireland, Northern Ireland) retains features of western parts of England. But Northern Ireland is heavy Scots-influenced (as large numbers of settlers came there from the southwest of Scotland from the 17 th century.

- the vowel system is similar to that of the Scottish accent: post-vocalic retroflex frictionless sonorant /r/ being used as in Scotland.

in words like “bay, say” the vowel is monophthong /e/, preconsonantly it may be the diphthong of the type /eэ – iэ/ “gate”

/i/, /u/ are fairy central (pool /pul/, meet /mi:t/, meat /mi:t/, fur /fir/, bird /bird/)

/o:/ and /o/ contrast only before /p,t,k/ (nose /noz/, pour /por/, pole /pol/)

/ai/, /au/ are very variable, there isno /ei/ (tide, bout /baut/)

realization of /a:/ may vary considerably (hat /hat/, danse /dans/)

Consonants:

/l/ is mainly clear

intervocalic /t/ is often a voiced flap /d/ (city /`sidi/)

between vowels /  / may be lost (mother /`mo:Эr/

/h/ is present

Билет № 3

Rhythm – is understood as discipline of periodicity in time and space. We find rhythm everywhere (succession of seasons, breathing, walking). Speech production is closely connected with breathing and breathing is rhythmical. Any type of speech activity is characterized by rhythm because it is connected with breathing.

According to the most general definition of rhythm there must be in speech a similar unit (event), which is repeated casually at equal periods of time. It’s not the same in different languages. Two types of languages can be singled out in this respect.

languages with syllable-timed rhythm (слогочитающий ритм) – any syllable both stressed or unstressed is repeated in equal period of time (French, Spanish, Italian, Hungarian, Hindi)

languages with stressed-timed rhythm (такто-считающий ритм) – only stressed syllables are pronounced at equal periods of time (German, Russian, English, Arabic, Modern Greek)

English has stressed-timed rhythm. It implies that it has stressed syllables tend to occur at relatively equal period of time and it does not matter whether they are separated by unstressed syllable or not. The stress-timed theory says that the time period from each stressed syllable to the next one tends to be the same irrespective of the number of syllables that separate. We can define English speech rhythm as a regular recurrence of stressed syllables. This is traditional approach to rhythm which is most typical for the British phonetic school.

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2. Divisions and Branches of Phonetics

3. Methods of Phonetic Investigation

4. Phonetics and Other Disciplines

5. Spheres of Practical Application

1. Phonetics as a Linguistic Discipline

This book is aimed at future teachers of English. The teachers of a for­ eign language are definitely aware of the existence of phonetics. They are always being told that it is essential that they should be skilful phoneticians. The reaction may be different. Some teachers meet it with understanding. Some protest that it is not in their power for various reasons to become pho­ neticians, others deny that it is really necessary.

"Is it in fact necessary for a language teacher to be a phonetician? I would reply that all language teachers willy-nilly are phoneticians.It is not possible, for practical purposes, to teach a foreign language to any type of learner, for any purpose, by any method, without giving some attention to

pronunciation. And any attention to pronunciation is phonetics." (Aber­ crombie, 1956: 28)

What does phonetics study? Phonetics is concerned with the human noises, by which the thought is actualized or given audible shape: the nature of these noises, their combinations, and their functions in relation to meaning. Phonetics studies the sound system of the language, i. e. segmen­ tal phonemes, word stress, syllabic structure and intonation. It is primarily concerned with expression level. However, phonetics takes the content

el into consideration too. Only meaningful sound sequences are regarded as speech, and the science ofphonetics, in principle at least, is concerned only with such sounds produced by a human vocal apparatus as are, or may be, carriers of organized information of language. In other words, phonetics is concerned both with the expression level ofphonetic units and their ability to carry meaning. No kind oflinguistic study can be made without constant consideration of the material and functional levels.

It follows from this that phonetics is a basic branch of linguistics; nei­ ther linguistic theory nor linguistic practice can do without phonetics, and

no language description is complete without phonetics, the science con­ cerned with the spoken medium oflanguage. That is why phonetics claims to be of equal importance with grammar and lexicology.

2. Divisions and Branches of Phonetics

Traditionally phonetics is divided into general phonetics which studies the complex nature of phonetic phenomena and formulates phonetic laws and principles and special phonetics which is concerned with the phonetic structure ofa particular language. Admittedly, phonetic theories worked out by general phonetics are based on the data provided by special phonetics while special phonetics relies on the ideas of general phonetics to interpret phonetic phenomena of a particular language.

Special phonetics can be subdivided into descriptive and historical. Spe­ cial descriptive phonetics studies the phonetic structure ofthe language syn­ chronically, while historical phonetics looks at it in its historical develop­ ment, diachronically. Historical phonetics is part of the history of the language. The study ofthe historical development ofthe phonetic system of a language helps to lmderstand its present and predict its future.

Another important division of phonetics is into segmental phonetics, which is concerned with individual sounds (1. e. "segments" of speech) and suprasegmental phonetics whose domain is the larger units of connected speech: syllables, words, phrases and text.

Phonetics has two aspects: on the one hand, phonology, the study of the functional aspect of phonetic units, and on the other, the study of the sub­ stance of phonetic units.

Before analysing the linguistic function of phonetic units we need to know how the vocal mechanism acts in producing oral speech and what

8 Introduction

methods are applied in investigating the material form of the language, in other words its substance.

Human speech is the result ofa highly complicated series of events. The formation of the message takes place at a linguistic level, i. e. in the brain of the speaker; this stage may be calledpsychological. The message formed in the brain is transmitted along the nervous system to the speech organs. Therefore we may say that the human brain controls the behaviour of the articulating organs which results in producing a particular pattern ofspeech sounds. This second stage may be calledphysiological. The movements of the speech ap­ paratus disturb the air stream thus producing sound waves. Consequently the third stage may be calledphysical or acoustic. Further, any communication requires a listener, as well as a speaker. So the last stages are thereception of the sound waves by the listener"s hearing physiological apparatus, thetrans­ missiou of the spoken message through the nervous system to the brain and thelinguistic interpretation ofthe information conveyed.

Although not a single one ofthe organs involved in the speech mecha­ nism is used only for speaking we can for practical purposes use the term "organs of speech", meaning the organs which are active, directly or indi­ rectly, in the process ofspeech sound production.

In accordance with their linguistic function the organs ofspeech may be grouped as follows:

The respiratory or power mechanism furnishes the flow of air which is the first requisite for the production of speech sounds. This mechanism is formed by the lungs, the wind-pipe and the bronchi. The air-stream ex­ pelled from the lungs provides the most usual source of energy which is regulated by the power mechanism. Regulating the force ofthe air-wave the lungs produce variations in the intensity of speech sounds. Syllabic pulses and dynamic stress, both typical of English, are directly related to the be­ haviour of the muscles which activate this mechanism.

From the lungs through the wind-pipe the air-stream passes to the up­ per stages ofthe vocal tract. First ofall it passes to the larynx containing the vocal cords. The opening between the vocal cords is known as the glottis. The function of the vocal cords consists in their role as a vibrator set in mo­ tion by the air-stream sent by the lungs. The most important speech func­ tion of the vocal cords is their role in the production of voice. The effect of voice is achieved when the vocal cords are brought together and vibrate when subjected to the pressure of air passing from the lungs. The vibration is caused by compressed air forcing an opening ofthe glottis and the follow­ ing reduced air-pressure permitting the vocal cords to come together.

The height of the speaking voice depends on the frequency ofthe vibra­ tions. The more frequently the vocal cords vibrate the higher the pitch is. The typical speaking voice of a woman is higher than that ofa man because the vocal cords of a woman vibrate more frequently. We are able to vary the rate of the vibration thus producing modifications of the pitch component of intonation. More than that.We are able to modify the size of the puff of air which escapes at each vibration of the vocal cords,i. e. we can alter the amplitude of the vibration which causes changes of the loudness of the sound heard by the listener.

From the larynx the air-stream passes to supraglottal cavities,i. e. to the pharynx, the mouth and the nasal cavities. The shapes of these cavities modify the note produced in the larynx thus giving rise to particular speech sounds.

There are three branches of phonetics each corresponding to a different stage in the communication process described above. Each ofthese branch­ es uses a special set of methods.

The branch of phonetics that studies the way in which the air is set in motion, the movements of the speech organs and the coordination of these movements in the production of single sounds and trains ofsounds is called articulatory phonetics. Articulatory phonetics is concerned with the way speech sounds are produced by the organs of speech, in other words the mechanisms of speech production.

Acoustic phonetics studies the way in which the air vibrates between the speaker"s mouth and the listener"s ear, in other words, the sound wave. Acoustic phonetics is concerned with the physical properties of speech sounds and uses special technologies to measure speech signals.

The branch of phonetics investigating the perception process is known as auditory phonetics. Its interests lie more in the sensation ofhearing which is brain activity, than in the physiological working of the ear or the nervous activity between the ear and the brain. The means by which we discriminate sounds - quality, sensation of pitch, loudness, length, are relevant here.

branch of phonetics is of special interest to anyone who teaches or studies pronunciation.

As it was mentioned above, phoneticians cannot act only as describ­ ers and classifiers of the material form of phonetic units. They are also interested in the way in which sound phenomena function in a particular language and what part they play in manifesting the meaningful distinc­ tionsofthe language. The branch of phonetics that studies the linguistic function of consonant and vowel sounds, syllabic structure, word accent

and prosodic features, such as pitch, loudness and tempo is called pho­ nology.

In linguistics, function is usually understood as discriminatory func­ tion, that the role of the various elements ofthe language in the distin­ guishing ofone sequence of sounds, such as a word or a sequence ofwords, from another of different meaning. Though we consider the discriminatory function to be the main linguistic function of any phonetic unit we cannot ignore the other function of phonetic units, that is, their role in the forma­ tion ofsyllables, words, phrases and texts. This functional or social aspect of phonetic phenomena was first introduced by I. A. Baudouin-de-Courtenay. Later on N. S. Trubetskoy declared phonology to be a linguistic disciplineand acoustic phonetics to anatomy, physiology and acoustics only. This conception is shared by many foreign linguists who in­ vestigate the material form and the function of oral speech units separately. Russian linguists proceed from the view that language is the medium of thought and can exist only in the material form of phonetic units. That is why they consider phonology a branch of phonetics that investigates its most important social aspect.

Branches of Phonetics

3. Methods of Phonetic Investigation

Each branch of phonetics uses its own methods of research. We shall consider now some ofthe methods applied in investigating the sound matter

They generally distinguish methods of direct observation (phonetic studies are carried out without any other instruments of analysis than the human senses) andinstrumental methods based on the use of various

From the beginning of phonetics the phonetician has relied to a great extent on the perception ofhis own speech and the informants" speech. The

experience in such observation allows him to associate the qualities of the sound heard with the nature ofthe articulations producing it. Such skills are obligatory for phoneticians and make phonetics not only a science but also an art, an art which must be specially learned. Phonetic research based on the methods of direct observation is effective only when the scholars con­ ducting it are trained in analyzing both the movements of the organs of speech and the auditory impression of speech segments.

Instrumental methods were introduced into phonetics in the second half ofthe 19th century in order to supplement the impressions deriving from the human senses, especially the auditory impressions, since these are affected by the limitations of the perceptual mechanism, and in general are rather subjective.

Instrumental analysis is based on the use of special technical devices, such as spectrograph, intonograph, x-ray photography and cinematogra­ phy, laryngoscope and others. In a general way, the introduction of ma­ chines for measurements and for instrumental analysis into phonetics has resulted in their use for detailed study of many of the phenomena which are present in the sound wave or in the articulatory process at any given mo­ ment, and the changes ofthese phenomena from moment to moment. This type of investigation together with sensory analysis is widely used in experi­ mental phonetics.

The results available from instrumental analysis supplement those avail­ able from sensory analysis. Practically today there are no areas of phonetics in which useful work can and is being done without combining these two ways of phonetic investigation. The "subjective" methods of analysis by sensory impression and the "objective" methods of analysis by instruments are complementary. Both "objective" and "subjective" methods are widely used in modern phonetics. Articulatory phonetics borders with anatomy and physiology, it uses methods of direct observation, whenever it is possible (lip movement, some tongue movement) combined with x-ray photography or x-ray cinematography, observation through mirrors as in the laryngo­ scopic investigation of vocal cord movement, etc.

Acoustic phonetics comes close to physics and the tools used in this field enable the investigator to measure and analyse the movement ofthe air in the terms of acoustics. This generally means introducing a microphone into the speech chain, converting the air movement into corresponding electrical activity and analysing the result in terms of frequency ofvibration and amplitude of vibration in relation to time. The use of various sound analysing and sound synthesising machines is generally combined with the

method of direct observation. Today computer technologies make it possi­ ble to conduct acoustic spectral analysis ofspeech sounds and intonograph­ ic analysis.

It should be mentioned that computer technologies are widely used both for processing and measuring acoustic data and for pronunciation training. One of the advantages of using computers for the experimental study is the possibility of storing substantial corpora of various spoken dis­ course to serve as the material for phonetic investigation.

Phonology possesses its own methods ofinvestigation which will be de­ scribed later in the course.

Our further point will be made in connection with the relationship of phonetics and other disciplines. As it was already mentioned phonetics is one of the basic branches of linguistics, naturallyit is closely connected with the other linguistic disciplines: lexicology and grammar.

Special attention should be given to the relations of phonetics and social sciences. Language is not an isolated phenomenon; it is a part of society, a part of ourselves. The functioning of phonetic units in society is studied by sociophonetics. It should be mentioned here that over the last few decades there appeared a number ofdistinct interdisciplinary subjects, such as socio­ linguistics (and sociophonetics correspondingly), psycholinguistics, mathe­ maticallinguistics and others. These, as their titles suggest, refer to aspects of language which can be studied from two points ofview (sociology and linguis­ tics, psychology and linguistics and so on), which requires awareness and de­ velopment of concepts and the techniques derived from both disciplines.

Sociophonetics studies the ways in which pronunciation interacts with society. In other words, it is the study of the way in which phonetic struc­ tures change in response to different social functions. Society here is used in its broadest sense, to cover a spectrum of phenomena such as nationality, regional and social groups, and specific interactions of individuals within them. There are innumerable facts to be discovered and considered, even about a language as well investigated as English, concerning, for instance, the nature ofthe different situations - when we are talking to equals, supe­ riors or subordinates; when we are "on the job", when we are old or young; male or female; when we are trying to persuade, inform, agree or disagree and so on. Needless to say sociophonetic information is of crucial impor­

tance for language teachers and language learners in the context of cross­ cultural communication.

One more example ofinterdisciplinary overlap is the relation oflinguis­ tics to psychology. Psycholinguistics as a distinct area ofinterest developed the sixties, and in its early form covered the psychological implications of an extremely broad area, from acoustic phonetics to language pathology. Nowadays no one would want to deny the existence ofstrong mutual bonds between linguistics, phonetics in our case and psychology. Here are some of the problems covered by psycholinguistics: the acquisition of language by

children, the extent to which language meditates or structures thinking; extent to which language is influenced and itself influences such things as memory, attention, perception; the problems of speech production and speech perception; speech pathology.

Phonetics is also closely connected with a number ofnon-linguistic dis­ ciplines which study different aspects ofspeech production and speech per­ ception: physiology, anatomy, physics (acoustics). In phonetic research they use mathematics, statistics, computer science.

There is one more area phonetics is closely connected with. It is the study of non-verbal means ofcommunication.

How do people communicate?

Too often there is a difference between what we say and what we think we have said, though we use appropriate grammatical structures, words and intonation. It may even cause a break in communication.

It may happen because we speak with our oral organs, but we converse with our entire bodies. Conversation consists of much more than a simpJe interchange ofspoken words. All ofus communicate with one another non­ verbally.It means that we communicate without using words and involving movements of different parts of the body.

It is believed that 7% of communication is conveyed by words, 38% by sounds and intonation and 55% - by non-verbal means. They are: facial expression, gestures and postures.

D. Crystal insists that the meaning of particular nuclear tones depends on the combination with particular facial expression.

Non-verbal elements express very efficiently the emotional or the mod­ al side of the message.

The study of non-verbal means of communication is called kinesics. The analysis ofspoken discourse often includes references both to the pho­ netic and non-verbal aspects ofspeech communication. So we can say that phonetics overlaps with kinesics.

The field of phonetics is thus becoming wider and tends to extend over the limits originally set by its purely linguistic applications. On the other hand, the growing interest in phonetics is partly due to increasing recogni­ tion of the central position of language in every line of social activity. It is important, however, that the phonetician should remain a linguist and look upon phonetics as a study of the spoken form oflanguage.It is its applica­ tion to linguistic phenomena that makes phonetics a social science in the proper sense of the word.

5. Spheres of Practical Application

Now we shall give an overview of the spheres in which phonetics can be

A study of phonetics has educational value for everyone, who realizes the importance of language in human communication. Through the study of the nature oflanguage, especially of spoken language, valuable insights are gained into human psychology and into the functioning of a man in so­ ciety. That is why we dare say that phonetics has considerable social value.

The knowledge of the structure of sound systems, and of the articula­ tory and acoustic properties of the production of speech is indispensable in the teaching of foreign languages. The teacher has to know the starting point, which is the sound system of the pupil"s mother tongue, as well as the aim of his teaching, which is mastering the pronunciation of the lan­ guage to be learnt. He/she must be able to point out the differences be­ tween these two, and to provide adequate training exercises. Ear training and articulation training are both equally important in modern language teaching. The introduction of new technologies, computers in particular, has brought about a revolution in the teaching of the foreign language

In our technological age phonetics has become important in a number of technological fields connected with communication. The results of pho­ netic investigations are used in communication engineering. Phonetic data is obviously needed for creating sound analyzing and sound synthesizing devices, for example machines converting the printed symbols or letters into synthetic speech or automatic typewriters which convert speech di­ rectly into printed words on paper.

Phonetics contributes important information to the research in crimi­ nology aimed at identifying individuals by voices.

For those who work in speech therapy, which handles pathological con­ ditions ofspeech, phonetics forms an essential part ofthe professional train­ ing syllabus. Phonetics also enters into the training of teachers of the deaf and dumb people and can be of relevance to a number of medical and den­ tal problems.

Phonetics has proved extremely useful in such spheres as investigations in the historical aspects of languages, in the field of dialectology; designing or improving systems of writing or spelling (orthographies for unwritten languages, shorthand, spelling reform), in questions involving the spelling or pronunciation of personal or place names or of words borrowed from other languages.

At the faculties of foreign language in this country two courses of pho­ netics are introduced: practical and theoretical phonetics.

Practical or normative phonetics studies the substance, the material form of phonetic phenomena in relation to meaning.

Theoretical phonetics is mainly concerned with the functioning ofpho­ netic units in the language. Theoretical phonetics, as we introduce it here, regards phonetic phenomena synchronically without any special reference to the historical development of English.

This course is intended to discuss the problems of phonetic science which are relevant to English language teaching. The teacher must be sure that what he/she teaches is linguistically correct. In this course we are to bring together linguistic theory and EFL practice. We hope that this book will enable the teacher to work out a truly scientific approach to pronuncia­ tion teaching.

In phonetics as in any other discipline, there are various schools whose views sometimes coincide and sometimes conflict. Occasional reference is made to them but there is no attempt to describe and compare all possible traditional and current approaches to the phonetic theory.

As you see from the above, the purpose of this book is to consider the role of phonetic means in communication and to serve as a general intro­ duction to the subject of theoretical phonetics of English which will en­ courage the student and the teacher of English to consult more specialized works on particular aspects.

The authors ofthe book hope that the readers have sufficient knowledge of the practical course of English phonetics as well as of the course of gen­ erallinguistics, which will serve as the basis for this course.

The description of the phonetic structure of English will be based on Received Pronunciation (RP).

THE FUNCTIONAL ASPECT

OF SPEECH SOUNDS

This chapter is concerned with the linguistic function ofspeech sounds,

i. e. "segments ofspeech".

We are going to discuss here the defInitions of the phoneme, methods used in establishing the phonemic structure of a language, the system of English phonemes, modifIcations of sounds in connected speech.

1.1. The Phoneme

1.1.1. The definition of the phoneme

1.1.2. The phoneme as a unity of three as­ pects

1.1.3. Phonological and phonetic mistakes in pronunciation

1.2. Transcription

1.3. Main Trends in the Phoneme Theory

1.4. Methods of Phonological Analysis

1.4.1. The aim of phonological analysis

1.4.2. Distributional method of phonological analysis

1.4.3. SemanticaUy distributional method of phonological analysis

1.4.5. Methods of establishing the phonemic status of speech sounds in weak posi­ tions. Morphonology

1.5. The System of English Phonemes

1.5.1. The system of consonants

1.5.2. The system ofvowels

1.5.3. Modifications of sounds in connected speech

1.5.3.1. Modifications of consonants

1.5.3.2. Modifications ofvowels

1.1. The Phoneme

1.1.1. The defmition ofthe phoneme

To know how sounds are produced by speech organs it is not enough to describe and classify them as language units. When we talk about the sounds of a language, the term "sound" can be interpreted in two rather different ways. In the fIrst place, we can say that [t] and [d] are two different soundsin English,[t] being fortis and [d] being lenis1 and we can illustrate this by showing how they contrast with each other to make a difference ofmeaning in a large number of pairs, such astie die, seat seed, etc. But on the other hand ifwe listen carefully to the[t] inlet us and compare it with the

in let them we can hear that the two sounds are also not the same, the [t] oflet us is alveolar, while the[t] oflet them is dental. In both examples the sounds differ in one articulatory feature only; in the second case the differ­ ence between the sounds has functionally no significance.It is perfectly clear that the sense of "sound"in these two cases is different. To avoid this ambiguity, the linguist uses two separate terms: "phoneme" is used to mean "sound" in its contrastive sense, and "allophone" is used for sounds which are variants of a phoneme: they usually occur in different positionsin word(i. e. in different environments) and hence cannot contrast with each other, nor be used to make meaningful distinctions.

[d] when not affected by the articulation of the preceding or following sounds is a plosive, forelingual apical, alveolar, lenis stop. This is how it sounds in isolation or in such words as door, darn, down, etc., when it re­ tains its typical articulatory characteristics. In this case the consonant [d] is called the principal allophone. The allophones which do not undergo any distinguishable changes in the chain of speech are called principal. At the same time there are quite predictable changes in the articulation of allo­ phones that occur under the influence ofthe neighbouring sounds in differ­ ent phonetic situations. Such allophones are called subsidiary.

The examples below illustrate the articulatory modifications ofthe pho­ neme [d] in various phonetic contexts:

[d] is slightly palatalized before front vowels and the sonorant [j], e. g.deal, day, did, did you.

is pronounced without any plosion before another stop, e. g. bedtime, bad pain, good dog; it is pronounced with the nasal piosion before the nasal sonorants [n] and [m], e. g.sudden, admit, could not, could meet; the plosion is lateral before the lateral sonorant , e. g.middle, badly, bad light.

The alveolar position is particularly sensitive to the influence of the place ofarticulation ofa following consonant. Thus followed by [r] the con­ sonant [d] becomes post-alveolar, e. g.dry, dream; followed by the inter­ dental , [a] it becomes dental, e. g.breadth, lead the way, good thing.

When [d] is followed by the labial [w] it becomes labialized, e. g. dweller. In the initial position [d] is partially devoiced, e. g.dog, dean; in the in­ tervocalic position or when followed by a sonorant it is fully voiced, e. g.order, leader, driver; in the word-final position it is vQiceless, e. g.road,

These modifications of the phoneme [d] are quite sufficient to demon­ strate the articulatory difference between its allophones, though the list of them could be easily extended. If you consider the production of the allo­ phones of this phoneme, you will fmd that they possess three articulatory features in common: all of them are forelingual1enis stops.

Consequently, though allophones of the same phoneme possess similar articulatory features they may frequently show considerable phonetic dif­ ferences.

It is perfectly obvious that in teaching English pronunciation the differ­ ence between the allophones of the same phoneme should be necessarily considered. The starting point is of course the articulation of the principal allophone, e. g. jd-d-dj: door, double, daughter, dark, etc. Special training of the subsidiary allophones should be provided too. Not all the subsidiary